The Understudy’s Century
The National’s revival of “The Glass Diplomat” has been celebrated as a triumph of staging. Its real subject is the performer the audience almost never sees.
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Arts, books, music and the ideas that move us.
The National’s revival of “The Glass Diplomat” has been celebrated as a triumph of staging. Its real subject is the performer the audience almost never sees.
A new national gallery has hung its collection with no chronology, no nations and no wall text. Curators call it radical. Visitors, so far, call it a relief.
A conductor’s experiment in playing without sheet music has produced the most talked-about season in the philharmonic’s history — and a quiet argument about what memory does to music.
A small experiment in a neighbourhood branch has quietly become the most borrowed service in the city’s library system. It contains no books at all.